Category Archives: writing

Fall In

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Photo by Chris Lawton on Unsplash.

I’m writing this on the first day of fall in the Northern Hemisphere.

Depending upon where you are, it might not feel like fall yet. Right now, for instance, it’s 92°F outside where I live. And humid. More summer than fall. Yet, at the same time, school’s back in session, football is being played, and Halloween paraphernalia is appearing in stores.

The leaves on one of the trees outside my window are starting to change color. Some leaves have even started to fall. It’s getting darker earlier and lighter later. And even though it’s still hot out during the day, it’s cooling down more at night.

Change is in the air.

This leads to a question: Should one also change in conjunction with the seasons? By this I mean more than donning a natty scarf when the temperature drops below a certain level—I mean changing things about the way you eat, sleep, live, and work.

Conventional productivity advice doesn’t really take up this question. One of the things, in fact, that irks me about such advice is that it tends to frame things in terms of daily routines, routines that are ostensibly the same regardless of the season. In other words, most productivity advice is seasonless. Here I’m thinking of things like Mason Currey’s engrossing 2013 book Daily Rituals and Tim Ferriss’s more tech bro-y late-2016 knockoff Tools for Titans.

Now, I’m as interested in famous people’s daily routines as anyone. But at the same time, I feel it’s important to resist the tyranny of “the day.”

What do I mean by that?

Well, we live in a world of seasons—and increasingly more variable and violent seasons at that—but productivity advice seems to always think in terms of the day, the week, the year, or five years, never the season, the sun, and the shadow.

In Lewis Mumford’s endlessly-rich 1937 book Technics and Civilization, he explains how the clock altered human relations by organizing everything around twenty-four little hours instead of, say, the rhythm of the seasons.

The consequences of this, Mumford argues, are profound:

When one thinks of the day as an abstract span of time, one does not go to bed with the chickens on a winter’s night: one invents wicks, chimneys, lamps, gaslights, electric lamps, so as to use all the hours belonging to the day. When one thinks of time, not as a sequence of experiences, but as a collection of hours, minutes, and seconds, the habits of adding time and saving time come into existence.

Because of the clock, Mumford continues, “Abstract time became the new medium of existence. Organic functions themselves were regulated by it: one ate, not upon feeling hungry, but when prompted by the clock: one slept, not when one was tired, but when the clock sanctioned it. A generalized time-consciousness accompanied the wider use of clocks: dissociating time from organic sequences….”

Since we all pretty much live according to “clock time” now, the autumnal equinox presents us with an opportunity to cast off our Apple Watches and reflect on some of the benefits of living according to what might be called “seasonal time.” To that end, I encourage you to step out of “clock time” and into “seasonal time.”

This will, no doubt, strike some as unappealing. Many people see nature as something to overcome or counteract, not as something to flow with or submit to. For others, it will be impossible. “Clock time” is simply imposed on them too strongly. But if you can do it, even just a little bit, I strongly recommend it, if only for the perspective it brings.

To quote Ecclesiastes 3:1, “To every thing there is a season.” What if we took that adage seriously, not just by buying pumpkin spice lattes but by doing key things in a more fall-like way? Fall-like might take different forms. The point is to embrace fall in particular and seasonal change in general. I’m definitely not recommending becoming “Mr. Autumn Man”. I’m talking about something else, something deeper.

One example I like is how novelist Lee Child sits down every September and begins work on a new Jack Reacher novel. He finishes up sometime the following spring and then spends the rest of the year doing other stuff—stuff like spending the entire month of August on vacation. (I don’t know about you, but that sounds pretty nice.) Note, too, that this routine produces a book a year. (As someone who writes much more slowly, this sounds pretty nice to me as well.) And Child has been doing things this way since the late 1990s. (For more on Child’s process, see Andy Martin’s Reacher Said Nothing: Lee Child and the Making of Make Me.)

Fall is a time to write for me as well, but it also means welcoming—rather than fighting against—the shorter days, the football games, the decorative gourds. Productivity writer Nicholas Bate’s seven fall basics are more sleep, more reading, more hiking, more reflection, more soup, more movies, and more night sky. I like those too. The winter will bring with it new things, new adjustments. Hygge not hay rides. Ditto the spring. Come summer, I’ll feel less stress about stopping work early to go to a barbecue or movie because I know, come autumn, I’ll be hunkering down. More and more, I try to live in harmony with the seasons, not the clock. The result has been I’m able to prioritize better.

And yes, fall for me also means some of the stereotypical stuff: apple picking, leafy walks, we’re even trying to go to a corn maze this year.

In sum, as the Earth wobbles around the Sun, don’t be afraid to switch things up. I can’t promise an uptick in productivity, but when you think of things in terms of seasons instead of a single day, the entire year becomes your canvas.

Oliver Sacks Working at His Desk

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Oliver Sacks working at his desk, 2015. Photo by Bill Hayes.

(Via.)

Nat Hentoff at Work

Nat Hentoff at work in The Pleasures of Being Out of Step: Notes on the Life of Nat Hentoff (2013).

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Trailer:

Research

“I don’t do any research. Your entire life is research.”

—Lee Child in Reacher Said Nothing: Lee Child and the Making of Make Me

A Writer’s Room: Leonardo Padura Fuentes

Cuban writer Leonardo Padura Fuentes’s workspace as seen on season 6, episode 1 of Anthony Bourdain’s Parts Unknown. (Click on the images for bigger versions.)

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Previously.

Writer’s Block

(Via Slate.)

Just Start and Don’t Give Up

“Just start at page one and write like a son of a bitch. Be totally familiar with the entirety of the Western literary tradition, and if you have any extra time, throw in the Eastern. Because how can you write well unless you know what passes for the best in the last three or four hundred years? And don’t neglect music. I suspect that music can contribute to it as much as anything else. Tend to keep distant from religious, political, and social obligations. And I would think that you shouldn’t give up until it’s plainly and totally impossible.”

Jim Harrison