“My approach to what I do in my job — and it might even be the approach to my life — is that everything I do is the most important thing I do. Whether it’s a play or the next film. It is the most important thing. I know it’s not going to be the most important thing, and it might not be close to being the best, but I have to make it the most important thing. That means I will be ambitious with my job and not with my career. That’s a very big difference, because if I’m ambitious with my career, everything I do now is just stepping-stones leading to something — a goal I might never reach, and so everything will be disappointing. But if I make everything important, then eventually it will become a career. Big or small, we don’t know. But at least everything was important.”
Learn to understand existence as being political.
Avoid art-world strategies.
Erase all known isms.
Don’t succumb to populist aesthetics.
Remove the notion of me.
Eliminate that which qualifies as a narrative.
Learn to live by the philosophy of jazz.
Only fools want to be famous (avoid at all cost).
Remain true to myself.
—Jack Whitten, Notes from the Woodshed
“Plants and animals don’t fight the winter; they don’t pretend it’s not happening and attempt to carry on living the same lives that they lived in the summer. They prepare. They adapt. They perform extraordinary acts of metamorphosis to get them through. Winter is a time of withdrawing from the world, maximizing scant resources, carrying out acts of brutal efficiency and vanishing from sight; but that’s where the transformation occurs. Winter is not the death of the life cycle, but it crucible.”
—Katherine May, Wintering: The Power of Rest and Retreat in Difficult Times
“It was about eleven o’clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn’t care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.”
—Raymond Chandler, The Big Sleep (1939)
“I worked at Office Depot during the day and I was in the studio really late at night sometimes. Work was getting in the way of my focusing on what I needed to do as an artist. When they fired me, I had no excuse. I had to go all in on my career.”
“I don’t like people who have their itineraries and ideas so clearly sorted out that they say, ‘Today I’ll make three visits, I’ll write four letters, and I’ll finish that book I started.’ My soul is so open to every kind of idea, taste and sentiment; it so avidly receives everything that presents itself!… And why would it turn down the pleasures that are scattered along life’s difficult path? They are so few and far between, so thin on the ground, that you’d need to be mad not to stop, and even turn away from your path, and pick up all of those that lie within reach. There’s no more attractive pleasure, in my view, than following one’s ideas wherever they lead, as the hunter pursues his game, without even trying to keep to any set route.”
—Xavier de Maistre, A Journey Around My Room (1794)
(Via Michael Leddy)
“I have decided that I will buy books again, that I will live in a house full of books again even if it means I cannot move as nimbly through the world. Because I love books. It’s as simple as that.”
—Rebecca Toh, “Buying Books Again”
(Via Patrick Rhone.)
“For every projection you make—I know it would be fruitless to ask you to forswear the projective temptation altogether—make a promise. Tell us not just what will happen but what you plan to do to bring about a better world, or a better university, or just a better neighborhood. Utter some words you will need to stand by. Because only then will you be answerable to the future that you so confidently predict.”
—Alan Jacobs, “Against Projection; For Promise”
“At Toni’s memorial service, Angela Davis was there, and we were talking about how Toni never thought anyone was guilty of a crime. Do you remember the Menendez brothers’ trial? Toni, who loved detective stories and trials and stuff like that, told me that the Menendez brothers were innocent. One of them had gone to Princeton for, like, five minutes, during which time Toni had met him. And Toni was a much nicer person than me. My meeting someone does not necessarily make me like them, but to Toni it does. The Menendez trial was one of the first televised trials, and Toni and I watched every single day on the telephone together. And the trial started at noon, because it was in L.A. I was supposed to be writing, of course, and I thought, I’m spending the whole day on the phone watching television, but it must be O.K., because so is Toni. And then I found out that Toni got up at five in the morning, and by twelve she had already done a full day’s work.”
“You shouldn’t feel upset that I haven’t seen the Star Wars films; I hardly see any films. I read. I see two, three, maybe four films per year … Sometimes I see things that are completely against my cultural nature. I was raised with Latin and Ancient Greek and poetry from Greek antiquity, but sometimes, just to see the world I live in, I watch ‘WrestleMania’ … You have to know what a good amount of the population is watching. Do not underestimate the Kardashians. As vulgar as they may be, it doesn’t matter that much, but you have to find some sort of orientation. As I always say, the poet must not close his eyes, must not avert them.”
—Werner Herzog, Variety, November 2019