Category Archives: endorsements

Endorsement: Grinding Your Coffee by Hand

Woman grinding coffee

I recently came across a paean to grinding your coffee by hand on Gear Patrol by Tyler Chin. It caught my eye because Chin uses the same manual tool I use every day, a relatively inexpensive ceramic burr grinder from Hario.

Like Chin, I’ve flirted with the idea of buying an electric burr grinder but never moved on one, partly for some of the same reasons Chin puts forward in favor of good ol’ fashioned hand-powered pulverizing.1

For starters, hand grinding elicits a different kind of engagement than an electric grinder does. As Chin writes,

hand grinding my beans brings me closer to the hands that farmed them. I try to buy coffee from roasters that are sustainably and ethically sourcing their beans. Coffee farming is a labor-intensive job, sometimes with minimal profit. As cheesy as it sounds, I feel a connection to the farmers who spend their days making sure the rest of the world stays caffeinated.

Chin may worry this sounds cheesy, but he’s actually getting at something rather profound, something Michael Sacasas discussed in a recent edition of his excellent newsletter The Convivial Society — that is, philosopher of technology Albert Borgmann’s distinction between focal things and devices. Borgmann explains the distinction in greater detail in his 1984 book Technology and the Character of Contemporary Life, but Sacasas offers a good précis.

He starts by explaining what Borgmann means by “devices”:

In Borgmann’s view devices are characterized by how they combine a heightened availability of the commodity they offer with a machinery that is increasingly hidden from view. Basically, they make things easier while simultaneously making them harder to understand. Devices excel at making what they offer “instantaneous, ubiquitous, safe, and easy.”

An electric burr grinder is a device in the Borgmannian sense. It’s easy to use and produces ground coffee quickly, but its operations are at least partially obscured behind plastic.

By contrast, focal things, Sacasas explains, “ask something of you. Borgmann speaks of their having a commanding presence. They don’t easily yield to our desire for ease and convenience. A radio and a musical instrument both produce music, but only one asks something of you in return.” A manual burr grinder, for example, asks you to grind, which, while not too strenuous for most able-bodied people, is an inconvenience, just as it’s usually “easier” to turn on the radio to hear music than it is to play an instrument and make it yourself.

A good way to think about the difference between devices and focal things, Sacasas suggests, is “the ideal device renders us altogether passive while the ideal focal thing renders us wholly engaged.”

But what about the connection Chin feels to the farmers of his coffee? Can a manual burr grinder produce that? Yeah, maybe. As Sacasas writes, quoting Borgmann,

a focal thing … “is inseparable from its context, namely, its world, and from our commerce with the thing and its world, namely, engagement.” In other words, focal things draw us into a web of practices and relations. Immediately thereafter, Borgmann adds, “The experience of a thing is always and also a bodily and social engagement with the thing’s world.”

Put differently, to use a focal thing like a manual burr grinder is to feel not only a direct, physical connection to the coffee you’re grinding, but a connection to the web of practices and relations of its production as well. The farmers who grew the coffee handled it, now you’re handling it.

If that weren’t enough, manual grinders also have the virtue of being less obtrusive. As Chin notes, “Electric coffee grinders are much more efficient, but they also take up much more counter space.”

Moreover, grinding coffee by hand makes available time for contemplation, which, if indispensable in the best of times, is doubly so nowadays. As Chin writes:

Hand grinding takes me at most a couple minutes — despite the strain, which makes it feel much longer — but in that time I can think about the day that lies ahead of me. I’m not making big batches of coffee, so the size of the Skerton is perfect for my daily grind. I’ve had my current model for almost two years now, but if it were to break, I wouldn’t hesitate about buying another one.

I feel exactly the same way. I’ve had my little Hario grinder for over a decade now; if it ever broke, I’d get another one.

The other thing that comes to mind here is a list at the end of Wendell Berry’s essay “Why I Am Not Going to Buy a Computer” (PDF). First published in the New England Review & Bread Loaf Quarterly and reprinted in Harper’s in 1988, I think I first encountered it in the obscure-but-delightful 1996 collection Minutes of the Lead Pencil Club: Second Thoughts on the Electronic Revolution.

As its title suggests, the essay is about why Berry isn’t going to switch from writing with pencil and paper to writing on a computer. I’m less interested in Berry’s position on computers per se than I am in the criteria he uses to decide if a new tool is worth adopting. Here’s his list in full:

  1. The new tool should be cheaper than the one it replaces.
  2. It should be at least as small in scale as the one it replaces.
  3. It should do work that is clearly and demonstrably better than the one it replaces.
  4. It should use less energy than the one it replaces.
  5. If possible, it should use some form of solar energy, such as that of the body.
  6. It should be repairable by a person of ordinary intelligence, provided that he or she has the necessary tools.
  7. It should be purchasable and repairable as near to home as possible.
  8. It should come from a small, privately-owned shop or store that will take it back for maintenance and repair.
  9. It should not replace or disrupt anything good that already exists, and this includes family and community relationships.

I find this list useful for thinking about whether to “upgrade” all sorts of things. Of course, if one were to evaluate an electric burr grinder in light of these criteria as opposed to a manual burr grinder, it would fail most of them. An electric burr grinder is more expensive (#1), bigger (#2), uses more energy (#4), isn’t body powered (#5), and is harder to repair (#6). I’ll concede, however, that it might produce better ground coffee (#3). Still, like Chin, I am going to stick with my manual burr grinder. If nothing else, in addition to all the reasons touched upon above, it has the salubrious effect of limiting my coffee consumption to that which I grind myself. Ne quid nimis.

Photo by Ava Sol on Unsplash.


1. Needless to say, if you’re serious about coffee, you should be grinding your own beans, not buying them pre-ground.

The World Before Your Feet

In my Sunday 3.25.2012 New York Times Digest, there appeared an article called “Leaving His Footprints on the City.” It was my first introduction to Matt Green, who was attempting “to walk every street in every borough of New York City” including “parks, paths, cemeteries and occasional overlaps.”

I recall checking out Green’s blog briefly and then filing him and his quixotic project away in the back of my head somewhere under “other weirdos who are interested in walking as epistemology.”

Recently, though, I came across and watched the 2018 documentary about Green and his walking project: The World Before Your Feet.

Here’s the trailer:

If you’re interested in walking like I am, or in New York City, or simply in documentaries about people who march to the beat of their own drum (to borrow a phrase from Thoreau, one of history’s great walkers), I recommend it to you.

After watching it, I feel like it’s not a stretch to say that Green has an understanding of NYC that few, if any, other human beings have, or ever have had. What’s more, it is an understanding that you can have of your own city or town, provided you are able to walk it — though, as Green’s example suggests, to really walk a city isn’t easy.

Yellow Legal Pads

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“I’ve been using yellow legal pads since coming to the United States with Honda in 1986. I found my favorite brand, Tops Docket Gold legal pads, in 2001. I’ve used two every month to write action items and ideas. I still have every one, stored in my office, all with dates so I can look up any history.”

Michimasa Fujino

Related reading: Suzanne Snider, “Old Yeller: The Illustrious History of the Yellow Legal Pad,” Legal Affairs, May/June 2005.

Fall In

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Photo by Chris Lawton on Unsplash.

I’m writing this on the first day of fall in the Northern Hemisphere.

Depending upon where you are, it might not feel like fall yet. Right now, for instance, it’s 92°F outside where I live. And humid. More summer than fall. Yet, at the same time, school’s back in session, football is being played, and Halloween paraphernalia is appearing in stores.

The leaves on one of the trees outside my window are starting to change color. Some leaves have even started to fall. It’s getting darker earlier and lighter later. And even though it’s still hot out during the day, it’s cooling down more at night.

Change is in the air.

This leads to a question: Should one also change in conjunction with the seasons? By this I mean more than donning a natty scarf when the temperature drops below a certain level—I mean changing things about the way you eat, sleep, live, and work.

Conventional productivity advice doesn’t really take up this question. One of the things, in fact, that irks me about such advice is that it tends to frame things in terms of daily routines, routines that are ostensibly the same regardless of the season. In other words, most productivity advice is seasonless. Here I’m thinking of things like Mason Currey’s engrossing 2013 book Daily Rituals and Tim Ferriss’s more tech bro-y late-2016 knockoff Tools for Titans.

Now, I’m as interested in famous people’s daily routines as anyone. But at the same time, I feel it’s important to resist the tyranny of “the day.”

What do I mean by that?

Well, we live in a world of seasons—and increasingly more variable and violent seasons at that—but productivity advice seems to always think in terms of the day, the week, the year, or five years, never the season, the sun, and the shadow.

In Lewis Mumford’s endlessly-rich 1937 book Technics and Civilization, he explains how the clock altered human relations by organizing everything around twenty-four little hours instead of, say, the rhythm of the seasons.

The consequences of this, Mumford argues, are profound:

When one thinks of the day as an abstract span of time, one does not go to bed with the chickens on a winter’s night: one invents wicks, chimneys, lamps, gaslights, electric lamps, so as to use all the hours belonging to the day. When one thinks of time, not as a sequence of experiences, but as a collection of hours, minutes, and seconds, the habits of adding time and saving time come into existence.

Because of the clock, Mumford continues, “Abstract time became the new medium of existence. Organic functions themselves were regulated by it: one ate, not upon feeling hungry, but when prompted by the clock: one slept, not when one was tired, but when the clock sanctioned it. A generalized time-consciousness accompanied the wider use of clocks: dissociating time from organic sequences….”

Since we all pretty much live according to “clock time” now, the autumnal equinox presents us with an opportunity to cast off our Apple Watches and reflect on some of the benefits of living according to what might be called “seasonal time.” To that end, I encourage you to step out of “clock time” and into “seasonal time.”

This will, no doubt, strike some as unappealing. Many people see nature as something to overcome or counteract, not as something to flow with or submit to. For others, it will be impossible. “Clock time” is simply imposed on them too strongly. But if you can do it, even just a little bit, I strongly recommend it, if only for the perspective it brings.

To quote Ecclesiastes 3:1, “To every thing there is a season.” What if we took that adage seriously, not just by buying pumpkin spice lattes but by doing key things in a more fall-like way? Fall-like might take different forms. The point is to embrace fall in particular and seasonal change in general. I’m definitely not recommending becoming “Mr. Autumn Man”. I’m talking about something else, something deeper.

One example I like is how novelist Lee Child sits down every September and begins work on a new Jack Reacher novel. He finishes up sometime the following spring and then spends the rest of the year doing other stuff—stuff like spending the entire month of August on vacation. (I don’t know about you, but that sounds pretty nice.) Note, too, that this routine produces a book a year. (As someone who writes much more slowly, this sounds pretty nice to me as well.) And Child has been doing things this way since the late 1990s. (For more on Child’s process, see Andy Martin’s Reacher Said Nothing: Lee Child and the Making of Make Me.)

Fall is a time to write for me as well, but it also means welcoming—rather than fighting against—the shorter days, the football games, the decorative gourds. Productivity writer Nicholas Bate’s seven fall basics are more sleep, more reading, more hiking, more reflection, more soup, more movies, and more night sky. I like those too. The winter will bring with it new things, new adjustments. Hygge not hay rides. Ditto the spring. Come summer, I’ll feel less stress about stopping work early to go to a barbecue or movie because I know, come autumn, I’ll be hunkering down. More and more, I try to live in harmony with the seasons, not the clock. The result has been I’m able to prioritize better.

And yes, fall for me also means some of the stereotypical stuff: apple picking, leafy walks, we’re even trying to go to a corn maze this year.

In sum, as the Earth wobbles around the Sun, don’t be afraid to switch things up. I can’t promise an uptick in productivity, but when you think of things in terms of seasons instead of a single day, the entire year becomes your canvas.

What It’s Like

“A good writer needs to know what it’s like, and ‘it’ can be just about anything. We have far too many writers today who have never ridden a horse, or fired a gun, or sharpened a knife, or fought with their fists, or been shot at. And so on and so on. They are like those professors who get a Ph.D. and a job teaching. Clearly nobody can try everything, but it’s possible to try a lot. I’ve sailed on a small boat, for example.  Also a troopship, and a luxury liner.  I’ve been a waiter, worked in a factory, and flown in a light plane. (No, I was not the pilot, but I wish I had been.)”

Gene Wolfe

Scarecrow Video

This is the video store I went to as a teenager, which, come to think of it, explains a lot about me.

Say No to Troll

Over at Slate, Farhad Manjoo — in between trying on awesome sweatshirtsargues against the reflexive labeling of anything and everything one happens to disagree with as “trolling.” This is something I’ve noticed more and more of recently too. It’s time to squash it. Things have really started to get out of hand. Heck, there’s even a term for people wanting to tar arguments they agree with: “concern trolling.”

But, Manjoo asks, “What if all these people aren’t trolls? What if they’re just, you know, disagreeable or stupid or merely wrong? What if, despite holding opinions that you don’t like, and despite expressing those opinions in a manner that seems a tad impolite, they came by their views honestly?”

He continues: “I think it’s time we took back troll. Let’s reserve the term to refer to people who are being actual nuisances. To apply it to punditry is to dilute it of all meaning — and, in an odd way, it also ascribes unnecessary genius to people who might just be misguided.”

Hear, hear.

Help me, would you?

Final Exam Prank Idea

Via Charles Shields’s And So It Goes: Kurt Vonnegut: A Life comes this great prank idea from Kurt Vonnegut:

He came up with a prank to ridicule his classmates’ angst over grades. Taking a seat for a final exam at midyear in a class he wasn’t registered for, he waited until everyone was deep into the test. Then with a groan of disgust, he ripped the exam to shreds, stalked up the aisle, and tossed the pieces of paper into the astonished instructor’s face, storming out the classroom door. It started a fad among the student body that lasted a few semesters.

It’s getting to be final exam time, and though teacherly propriety prevents me from endorsing this prank outright, I do sort of think it would be cool if it caught on.

Repair Your Own Jeans


The white patch thing is one of Vlieseline’s many iron-on interfacings but I’m not sure which one.  More information — including a link to order a free repair kit — can be found at the Nudie Jeans website.

Jeans, like leaves in the fall, are at their most beautiful just before they disintegrate. This guy’s got the right idea:

Carl Chiara

Buy Good Things. Own Them a Long Time.

Via The New York Times. Hat tip Put This On.