Lost Highway

To mark the release of Lost Highway on DVD (finally),

The scene is a textbook illustration of that uncanny sensation so specific to Lynch films that they are often simply called Lynchian (per David Foster Wallace, “one of those Potter Stewart-type words that’s definable only ostensively—i.e., we know it when we see it”). At their creepiest, Lynchian moments involve a shock of recognition (or self-recognition) and a metaphysical impossibility: déjà vu, seeing a doppelgänger, being in two places at once. When the heroines of Mulholland Drive are huddled in Club Silencio, the onstage cabaret is revealed as a sham (the singer collapses but the song goes on), forcing Naomi Watts to confront the failure of her own fantasy.

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