(Via.)
Facts About the Internet
July 10, 2010 · Leave a Comment
→ Leave a CommentCategories: infographics · technology
The Social Network
July 8, 2010 · Leave a Comment
Eye-catching poster for David Fincher’s new film.
→ Leave a CommentCategories: movies · posters
Malickesque
July 8, 2010 · 1 Comment
(Via.)
→ 1 CommentCategories: video
Tagged: Levis, Terrence Malick, John Hillcoat
7.4.2010 New York Times Digest
July 4, 2010 · Leave a Comment
“It is true that his work, for the most part, does not acknowledge social hardships or injustice. It does not offer a sustained meditation on heartbreak or death. Yet why should it? Idealization has been a reputable tradition in art at least since the days when the Greeks put up the Parthenon, and Rockwell’s work is no more unrealistic than that of countless art-history legends, like Mondrian, whose geometric compositions exemplify an ideal of harmony and calm, or Watteau, who invented the genre of the fête galante. Rockwell perfected a style of painting that might be called the American Ideal. Instead of taking place in lush European gardens, his playful gatherings are in a diner on Main Street.”
2. “What Big Eyes You Have, Dear, but Are Those Contacts Risky?”
“The lenses give wearers a childlike, doe-eyed appearance. The look is characteristic of Japanese anime and is also popular in Korea. Fame-seekers there called ‘ulzzang girls’ post cute but sexy head shots of themselves online, nearly always wearing circle lenses to accentuate their eyes. (‘Ulzzang’ means ‘best face’ in Korean, but it is also shorthand for ‘pretty.’)”
3. “The Man Behind the Dreamscape”
“‘It’s really, at its core, a big action heist movie.’”
4. “A Lone Figure, Standing Upright Amid the Cyclone”
“Keaton invited neither the audience’s identification, as Lloyd did, nor its sympathy, as Chaplin did. He presented a closed-off, self-sufficient figure, his emotions, if any, hidden behind his famous stone face.”
5. “A Rapper’s Long Battle to Go It Alone”
“Sir Lucious Left Foot has been largely finished since 2008, Big Boi said, but Jive never showed much enthusiasm for it. ‘They said, “This is a piece of art, and we don’t know what to do with it,”’ he said.”
6. “They Did Their Homework (800 Years of It)”
“One of Ken Rogoff’s favorite economics jokes — yes, there are economics jokes — is ‘the one about the lamppost’: A drunk on his way home from a bar one night realizes that he has dropped his keys. He gets down on his hands and knees and starts groping around beneath a lamppost. A policeman asks what he’s doing. ‘I lost my keys in the park,’ says the drunk. ‘Then why are you looking for them under the lamppost?’ asks the puzzled cop. ‘Because,’ says the drunk, ‘that’s where the light is.’”
“Two hundred and thirty-four years into an American experiment launched in the name of the common good, it often feels, to me on the road, as if a battle is underway for the nation’s identity, a jockeying over the values that will govern whatever follows the Great Recession.”
“When a site becomes this big, this powerful, there are ramifications — personal, cultural, economic and political.”
9. “Singing the Poet Electric”
“Whitman — an abstemious man and, for all his geniality, a loner — would not, I think, have recognized himself as the patron of the ’60s. He was no good at ‘communality,’ living all his adult life in boardinghouses or alone. Although Williams calls him ‘compulsively gregarious,’ Whitman could hardly have composed his monumental poems without spending a good deal of his time not being gregarious, but rather sitting, thinking, reading, writing, revising.”
10. “Ben Franklin Is a Big Fat Idiot”
“I was stunned to discover how many of Franklin’s axioms failed the acid test of validity and usefulness.”
11. “The Vuvuzela as Cultural Artifact”
“At an event notable for national grudges with intricate histories, playing out before an expected record worldwide audience, this simple, slightly silly, mass-produced noisemaker/instrument became a highly unlikely symbol of cultural meaning.”
12. “Mariano Rivera, King of the Closers”
“Life evolves toward increasing specialization.”
→ Leave a CommentCategories: new york times
The Mind Is the Best Weapon
July 1, 2010 · 3 Comments
Excerpts from Matthew Cheney’s extraordinary essay on Rambo II:
Rambo II is a movie filled almost entirely with enemies … Rambo is a character who is thwarted at every step by people who can only be described by a thesaurus entry: lying, untruthful, dishonest, deceitful, false, dissembling, insincere, disingenuous, hypocritical, fraudulent, double-dealing, two-faced, two-timing, duplicitous, perfidious, perjured; antonym: truthful. Early in the film, Rambo says to Col. Trautman (Crenna), “You’re the only one I trust,” and both that trust and his distrust of everyone else is revealed to be utterly justified—it turns out he’s been sent back to Vietnam to a camp where the military thinks no POWs are. The politicians want him to show the world that the camp is empty so that the war can be, along with its warriors, finally forgotten. When Rambo is spotted running with one of the prisoners, the commander who sent him into the jungle orders the rescue mission to abort, and once again the grunts are abandoned by their country. It’s up to Rambo to fix it.
But Rambo is more than just the Avenger of Vietnam. He’s also Natty Bumppo and Tarzan, the man who lives best outside civilization, the man whose superpowers come from mixing the best of the “savage” world with the natural superiority of the white man. He can’t live in the United States any more than Tarzan can stay in Wisconsin; he’s too pure, too truly, archetypally American for the fallen world the US of A has become since those perfect days of 1776. His final act, after killing hordes of undifferentiated Vietnamese and scheming Russians (thus avenging the failures of the Vietnam War and furthering the cause of the Cold War at the same time), is to return to base and blow away a room full of computer terminals with an M60E3 heavy machine gun. These are the computers that the (lying, untruthful, dishonest, etc.) Murdock had told Rambo were the best technology available, and thus the best weapons, to which Rambo said, “I always believed the mind is the best weapon.” Murdock replied, “Times change,” and Rambo muttered, “For some people.”
Because he rejects computers does not mean Rambo rejects technology. His mind is pure, but his hands are aided by weapons he and the camera revere, the tools that are an extension of his own perfection. An early sequence intercuts shots of Murdock and the computers with shots of Rambo preparing himself for battle. Trautman calls him “a pure fighting machine with only a desire to win a war that someone else lost.” (The fighting machine—Rambo as cyborg.) Moments later, after Trautman has said, “What you choose to call hell, he calls home,” and after a few brief shots of a jet engine and the plane itself being fueled (the machine, warming up), we cut to Rambo’s sweaty, muscled shoulder.
There is no hesitation, no weakness. He moves silently through the jungle, a force of destruction first against the Soviet soldiers, then the Vietnamese. He is silent and invisible. He molds the Earth around him—the landscape itself is his weapon, and he is an extension of it. He reaches out of the darkness like a deadly vine to pull one victim down into a crevice. He vanishes into the mud, like Predator or Swamp Thing. His bullets reach out from everywhere, and they never miss their mark. But bullets aren’t enough—he has saved his exploding arrow tips, and now they fly through the air, bringing immense plumes of fire to all the heretics. Water and fire dance throughout these scenes, culminating in a sequence at a waterfall where a Vietnamese soldier shoots ineffectively at Rambo and then is vaporized by the Arrow of God.
The scenes, despite how much I revile their morality and politics, still bring shivers to my spine, gooseflesh to my own so un-Rambo arms. No matter the tortured screams of my inner pacifist, the archetype of the individual laying waste to forces of evil remains gripping.
And they say film criticism is dead. Do yourself a favor and read the whole thing. Not only is it easily the best essay I’ve ever read on Rambo II (and I’ve read a lot of stuff about Rambo II), it’s a touching piece about the author’s father.
And don’t miss the related conversation between Brandon Soderberg and Benjamin Marra in which the term “New Wave of Hollywood Action” is coined, Cobra (a personal favorite of mine) is referred to as “one of the best action movies to come out of the ’80s,” and Stallone the actor is positioned as a Marlon Brando disciple: “All wounded, mumbly naturalism.” Soderberg and Marra sound like they’d be fun to hang out with.
Related posts: “The Default State for Most of Humanity” and “Rambo (IV).”
→ 3 CommentsCategories: masculinity · movies
Tagged: Stallone
You See Differently on Paper
June 30, 2010 · Leave a Comment
“I draft prose on-screen, work it over until I can’t find much wrong with it, then double-space it and print it out. At that point I discover what’s really there, which is ordinarily hazy, bloated, and boring. It looked pretty good on-screen, but it’s crap. My first drafts on paper, after what amount to several drafts on computer, look like a battlefield.”
→ Leave a CommentCategories: books · reading · writing
Tagged: Marshall McLuhan
6.27.2010 New York Times Digest
June 27, 2010 · 1 Comment
1. “Ac-shun! Now Brace for Impact”
“Good action is harder than it looks.”
2. “Golly, Beav, We’re Historic”
“There have perhaps been funnier sitcom scenes since, and certainly much louder, more frenetic ones. But has the craftsmanship — wonderfully believable brotherly chat as a foundation; sly incongruity laid on top — ever been bested? Doubtful.”
3. “In Documentary, Wall of Sound Meets Wall of Law”
“The film employs a greatest-hits collection of 21 Spector songs, played or performed in their entirety. And it does so without having obtained Mr. Spector’s written permission. Thus the film could become the latest flashpoint in the debate over what’s generally known as fair use, and copyright law. (Fair use refers to the right, under certain circumstances, like criticism, to use copyrighted material without permission. But the exact amount one can legally use remains a murky proposition.)”
4. “Surely It’s 30 (Don’t Call Me Shirley!)”
“The plentiful pop cultural references and anything-for-a-laugh attitude of Airplane! recalled early films by Mel Brooks (Blazing Saddles) and Woody Allen (Bananas). But its velocity and density were new. Every scene was packed with surreal, often faintly metafictional sight gags (including a supporting turn by the N.B.A. giant Kareem Abdul-Jabbar as a co-pilot who denies that he’s really Kareem Abdul-Jabbar, and a cameo by Ethel Merman playing a psychiatric patient who thinks he’s Ethel Merman). And the film proudly served up jokes so astoundingly corny that they somehow managed to circle around the bend and become hilarious. (‘Surely you can’t be serious.’ ‘I am serious — and don’t call me Shirley!’) At the same time Airplane! wasn’t just a collection of bits. The narrative hewed closely to that of Zero Hour!, and if you can factor out all the silliness — no small feat with a movie that segues from a Casablanca-inspired romantic flashback to a Saturday Night Fever-like dance number — what remains is a compact, even classical piece of filmmaking.”
5. “I’m Not a French Maid, I Just Play One on TV”
“For Ms. Munn, making peace with this past sometimes involves therapy, and sometimes it involves dressing up as fictional male lust objects like Princess Leia or Wonder Woman (as she does in photos in her memoir), simultaneously mocking and indulging fanboy fantasies.”
6. “The Idea Incubator Goes to Campus”
“The centers look like academic versions of business incubators.”
7. “Urban Lands of Opportunity”
“Over the past couple of decades, a new way of working and a new kind of workplace have evolved.”
8. “Roll-Up Computers and Their Kin”
“‘The paper book is dead,’ says the digital visionary Nicholas Negroponte.”
“An ugly paradox of the 21st century is that some of our elegant symbols of modernity — smartphones, laptops and digital cameras — are built from minerals that seem to be fueling mass slaughter and rape in Congo.”
10. “Are Cells the New Cigarettes?”
“Just as parents now tell their kids that, believe it or not, there was a time when nobody knew that cigarettes and tanning were bad for you, those kids may grow up to tell their kids that, believe it or not, there was a time when nobody knew how dangerous it was to hold your phone right next to your head and chat away for hours.”
11. “No Sex Please, We’re Middle Class”
“To what extent do these complaints about sexual apathy reflect a medical reality, and how much do they actually emanate from the anxious, overachieving, white upper middle class?”
12. “The Mysteries of Tobias Wong”
“In 2007, the soft-spoken (and stage shy) Mr. Wong sent Mr. Chorpash, the professor and friend, to the podium at a design conference to give an entire presentation pretending to be him — never mind that Mr. Chorpash is tall and Caucasian — while Mr. Wong sat amid baffled audience members, wearing a devilish smile.”
“The origin of female voices in navigation devices dates back to World War II, when women’s voices were used in airplane cockpits because they stood out among the male aviators.”
“In 2003, a German computer expert named Armin Meiwes advertised online for someone to kill and then eat. Incredibly, 200 people replied, and Meiwes chose a man named Bernd Brandes. One night, in Meiwes’s farmhouse, Brandes took some sleeping pills and drank some schnapps and was still awake when Meiwes cut off his penis, fried it in olive oil and offered him some to eat. Brandes then retreated to the bathtub, bleeding profusely. Meiwes stabbed him in the neck, chopped him up and stored him in the freezer. Over the next several weeks, he defrosted and sautéed 44 pounds of Brandes, eating him by candlelight with his best cutlery.”
15. “How HDTV Scrambles Beauty Standards”
“High def likes monochrome.”
16. “Where Do Gadgets Really Come From?”
“You might own a device made by Dell, Hewlett-Packard or Apple, for instance, but had you heard of Foxconn Technology before multiple suicides by workers became a big news story? Foxconn’s factories in Shenzhen, China, with an estimated 400,000 employees, manufacture products for all three of those familiar tech names; the company has also reportedly made devices, equipment or components for Nintendo, Amazon, Cisco and others.”
→ 1 CommentCategories: new york times
Weddings
June 26, 2010 · Leave a Comment
Weddings are covert funerals. The bereaved bury sexual and personal liberty and are recompensed with champagne and domestic appliances.
—Alain de Botton
→ Leave a CommentCategories: quotes
Tagged: Alain de Botton
Where There’s Smoke, There’s Fire
June 23, 2010 · 1 Comment
Three of the four elements are shared by all creatures, but fire was a gift to humans alone. Smoking cigarettes is as intimate as we can become with fire without immediate excruciation. Every smoker is an embodiment of Prometheus, stealing fire from the gods and bringing it on back home. We smoke to capture the power of the sun, to pacify Hell, to identify with the primordial spark, to feed on them arrow of the volcano. It’s not the tobacco we’re after but the fire. When we smoke, we are performing a version of the fire dance, a ritual as ancient as lightning.
—Tom Robbins, Still Life with Woodpecker
Oh, and for the record, I don’t smoke.
(Via.)
Related post: “Cigarettes Are Sublime.”
→ 1 CommentCategories: smoking








