Submitted For Your Perusal » Cary Grant

That TIE Fighter’s Dusting Crops Where There Ain’t No Crops

Matt Thomas — Sun, 16 Aug 2009 03:04:22 +0000

Posted in art, Cary Grant, movies

Right Off the Rack

Matt Thomas — Mon, 25 Aug 2008 19:22:16 +0000

Q: Who are your style icons?

A: Cary Grant; and I knew him too. The first time I went into his office he said, “Is that a Brooks Brothers jacket?” I said, “Yes.” And he said, “Right off the rack, right? They’re great.”

—Peter Bogdanovich

(Via Izzy.)

Cary Grant’s Suit

Matt Thomas — Mon, 28 Jan 2008 17:26:13 +0000

Whilst cleaning up some of my Safari bookmarks, I once again came across “Cary Grant’s Suit” by Todd McEwen, a wonderful little piece from a few years ago on the suit Cary Grant wears in North By Northwest.

Money Quote: “North By Northwest isn’t a film about what happens to Cary Grant, it’s about what happens to his suit.”

Becoming Cary Grant

Matt Thomas — Thu, 17 Jan 2008 06:51:26 +0000

In his blending of the urbane and the rambunctious, he found a way to be true to his own background, which he plainly adored, while reconciling that background to the vision of a suave man-about-town that he had aspired to as a working-class young man. Although Grant’s early Hollywood image seemed a denial of his former self, he kept Leach very much with him after he came into his own: he always spoke matter-of-factly and lovingly of his working-class origins, and he savored playing Cockney characters – see Sylvia Scarlett, Gunga Din, and the uncharacteristically sober None But the Lonely Heart, his most personal film; his references to “Archie Leach,” of course, would be an affectionate running gag in his pictures. The key to his appeal was that, as Kael noted decades ago, his “romantic elegance is wrapped around the resilient, tough core of a mutt, and Americans dream of thoroughbreds while identifying with mutts.”

—Benjamin Schwarz, “Becoming Cary Grant,” The Atlantic Monthly